Archive for March, 2010

Stanza

Hmmm…. Stanza :)

Stanza is the kind of App that makes you smile.

First of all it’s free. Zero dollars, euro or whatever your currency of choice is.

Secondly it works well, really well! It’s so simple, with direct access to project gutenburg and desktop app that allows you to easily sync any other books that may have, um, fallen off the back of a truck.

Third, and most important, is that it’s gotten me reading more often and in more places than I ever imagined. Just waiting in line skimming through a page or two would’ve been unwieldily and something I never would have considered.

I just can’t wait for the iPad version! Get it.

Ostriches?

A shot I got when going for a walk down the Barrow while at home a couple of weeks ago. The swans were floating around without a care in the world, but the moment the camera appeared, they both were determined to hide. I know this was mere coincidence with some tasty morsel that had chosen to swim by underneath, but it sure made for a great shot!

Jaw. Dropping.

This is quite simply the most incredible feature I’ve ever seen in a piece of image manipulation software.

Atticus

This is teh awesome

These Walls

Massive song from an old school friend Maverick Sabre

Listening

I recently got a great set of headphones. A really, really good set of headphones. I won’t go into detail, but they’re a pretty high end pair of sony cans, the big over ear type. Once I took them home I started listening to some of my favorite songs just to get a feel for them, the bass was rich, warm and enveloping, the mids were full and powerful and the top end was bright, airy and full of detail.

And then my iTunes library skipped to the next song and I thought my brand new headphones had failed spectacularly. The sound was all of a sudden muddy, as if from another room, the warmth and depth was gone, replaced with a flat dull monotone.

I panicked and got a huge sense of relief when I saw that the song playing was encoded at 128 kbps. The majority of my library is 320 kbps, a few favorites are lossless, but theres still a few relics that are in really low bit rates. This got me thinking, mainly about audio quality, the way I experience music and the expectations I have for fidelity. But then another thought hit me, I know good sounding music when I hear it, I appreciate high bit rates and good speakers, but just how many people of my generation can tell the difference any more?

Everyone’s seen kids on busses listening to songs on their mobile phones. Mono, 64 kbps with a colossal amount of background noise. They then go home, maybe take out their iPod, 128 kbps stereo, crappy 50c headphones that came with the player. The closest thing these people ever come to hearing their music as it was meant to be experienced is on TV on one of the music channels through their TV’s built in speakers. The number of people that listen to music as it was meant to be heard, on large 3 driver speakers, with enough room for the tones to mingle and allow harmonics to grow and enough bass to rattle your fillings is dwindling, most people just don’t see quality as a factor anymore unfortunately. A friend of mine laughed at me recently when I suggested buying a good, moderately expensive set of headphones, despite him having gone through 4 pairs of cheap, crap sounding earbuds in the past 12 months.

Now I know the tone of this piece is coming across as elitist, snobby, whatever. Peoples ability to perceive good music is dying and it’s scary. It doesn’t seem like a big deal, but for someone who’s interested in pursuing a career in the Music Business, someone who is particular about their work in a studio, someone who will slave away for hours over a mixing desk to make sure a musicians work sounds the absolute best it can. When it comes down to it, music is a business and if more and more people can’t tell the difference between a good quality track and a low quality track, will engineers, producers even artists themselves, make the effort they would have in the CD era?

Installing an Intel x-25 SSD in a Mac Pro


The Drive as it arrived from CompuB in limerick, the best Apple reseller I’ve come across. 240 euros for the 80GB, rev2 Intel X25-M.

The contents of the box, the Drive (make sure you get one of these in your box haha), a sticker to proclaim the awesomness of your new drive, and a handy sled that converts your 2.5″ SSD to fit typical 3.5″ Sata ports.

The sticker :)

The brand new shiny drive. Now, time to open up your Mac.

Take out your first two drives, this will give you access to the super drive bay.

Grab the super drive bay and pull, hard. Don’t worry, you wont break it.

Place your SSD in here, theres no moving parts so don’t worry about lying it flat etc. Connect it to the spare SATA cable hanging down, push back in the superdrive bay, pop back in any other hard drives, close up, and boot your Mac Pro, preferably with a copy of snow leopard in the disc drive.

Once the installer loads, choose disc utility form the menu bar and format your drive, then install Mac OS X as usual, and come back in about 15 minutes to the quickest Mac experience you’ll ever have.

In a while I’m going to do a little post on how to manage logic and final cuts libraries over multiple drives, a real headache for anyone with a small drive.

Lighthouse

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